Clearances and gate passes
Crew names, identity details, vehicle numbers and equipment declarations submitted in your security team's format, with enough days to be approved.
Shop 7, Ekta Nagri, Near Dwarka Apartment, Anand Nagar, Pune 411051
Events on a technology campus are decided by clearances, shift rosters and network policy long before anyone picks a theme. We plan around those rules instead of arguing with them.

A technology company runs on rules that do not bend for a celebration. Crew cannot walk in without passes. Cameras cannot point wherever they like. A cable cannot be plugged into the corporate network because it is convenient. Drilling cannot happen while a floor above is on a customer call. Every one of those is a solvable problem, provided it is raised weeks early and not on the morning of the build.
So our planning runs on two tracks. One is the event your team wants: stage, sound, screens, food, games, the programme. The other is paperwork: name lists, equipment declarations, bandwidth requests, load approvals, recording permissions and build hours. We drive both, and we talk to your facilities, security and network people directly so your organiser is not stuck relaying messages between them and a crew waiting outside a boom barrier.
The campuses around Hinjewadi, Magarpatta and Kharadi each work slightly differently, and a park that hosts many tenants applies stricter common-area rules than a single-occupant building. We read those rules before we design anything that has to pass through them.
Both halves have to be handled, and one of them nobody enjoys.
Crew names, identity details, vehicle numbers and equipment declarations submitted in your security team's format, with enough days to be approved.
Stage, sound and display set up to the noise, height and rigging limits an occupied building actually allows.
Bandwidth requested formally, a separate line where policy forbids the corporate network, and the stream tested with your tools.
A programme shaped so support teams, night shifts and people on release duty still get a turn at attending.
Attendee lists, visitor badges for families, and desks placed where they will not block a security turnstile.
Photography and video planned within confidentiality rules, with agreed framing, blurred screens where needed and a reviewed edit.
Every photo here is from an event our team planned and ran.
Tell us the date, the guest count, the budget and the feeling you want in the room. We ask the questions most people forget.
You getFirst ideas and a budget range
Theme, décor, stage layout and a minute-by-minute run of show, drawn up and revised until it feels like yours.
You getMoodboard, layout and an itemised quote
Venue shortlists, caterers, artists, anchors and the paperwork — police, music licences and venue approvals — handled by us.
You getLocked vendors, one point of contact
Décor goes up, truss and LED walls are rigged, sound is checked and the anchor rehearses every cue with our show caller.
You getA walk-through before guests arrive
Our crew runs the floor, the stage and the guests. When it is over, we clear the venue and send you the photos.
You getA calm host — you — and the memories
On a technology campus the hardest constraints are administrative, not creative. Nothing enters, connects, records or makes noise without somebody's approval, and each approval belongs to a different department with its own lead time. Design the event around that reality and the day becomes calm. Ignore it and your crew spends the morning at a boom barrier.
The first client is the team that briefed you. The second is the building. Multi-tenant parks have common-area rules covering noise, lift usage, atrium decoration, open flame, drilling and waste removal, and they apply whatever your own company has agreed internally. Ask for the facility rulebook at the start rather than discovering it through a refusal. Where the celebration genuinely cannot fit the rules, decide early whether to move it off campus, because that decision changes the budget, the travel and the headcount, and it is painless in week one and brutal in the final week.
A company running support across time zones cannot all stand in the same place at the same hour. Ask which teams are on critical coverage on your date, and treat them as a constraint rather than an afterthought. Two shorter repeats of the same programme often include more people than one long evening. Keep the main moment early enough that the general shift can attend before leaving, and arrange for a small crew to take food and a recording to the floors that cannot step away. Announce the timing along with the release calendar, since an event scheduled against a production push will lose to the production push. Check the shuttle and cab schedules too: if transport stops at a fixed hour, that hour is when your evening really ends, whatever the programme says, and people will drift towards the exit during the part you cared about most.
Put every approval on a list with an owner and a date, and chase the list, not the event.
| What needs clearance | Desk it belongs to | What that desk needs from you |
|---|---|---|
| Crew and artist entry | Security | Name list with identity details, entry and exit times |
| Equipment carried in | Security and stores | Itemised declaration so everything leaves again |
| Cabling and streaming | Network and IT | Bandwidth needed, devices connecting, ports involved |
| Power draw and tapping | Facilities and electrical | Total load, tapping point, backup arrangement |
| Photography and video | Information security | Where cameras may point, who reviews the edit |
| Drilling, rigging and noise | Building management | Permitted hours and fixing method for each wall |
| Food and service areas | Admin and housekeeping | Menu, service points, waste removal plan |
| Family and guest entry | Security and reception | Visitor list submitted ahead, badge format agreed |
Half your audience may be at home, at a client site or in another country. Give them a version of the event rather than a window into somebody else's. Point one camera at the stage and another at the audience, put a real microphone on anyone who speaks, and appoint someone whose only job is to read the chat aloud so remote comments reach the room. Send the joining link with the invitation, not an hour before, and post the recording the same week while people still care about it. Where an all-hands format is the heart of the event, our town hall event management page covers that in detail, and the streaming setup itself sits on our hybrid event production page.
You will rarely get the room empty. Load-in happens after hours or over a weekend, the service lift is shared with everyone else, and trolleys must not cross a customer-visit route. Ask when the lift is free, how wide it is, whether trucks can reach the loading bay, and which door stays unlocked at night. Keep a quiet setup until the working floors clear, then make noise. Plan the strike as carefully as the build, because a foyer full of empty crates on Monday morning undoes an otherwise excellent evening. Standard corporate planning across industries, from venue to programme, is covered on our corporate event planner page; this page is about the clearances that only apply inside a campus.
Can't find yours? Call or WhatsApp — a planner answers.
The approvals are the hard part, not the production. Crew entry, equipment, cabling, power, photography, drilling hours and guest access each need clearance from a different department, and each has its own notice period. Once those are in hand, the event runs like any other. Miss one and the crew waits outside while the audience waits inside.
Ask them in your first planning meeting, because the answer varies by company and by park. Crew name lists and equipment declarations commonly close several working days before the build. Network requests and recording permissions can take longer because more than one approver is involved. We file everything in your team's own format so nothing bounces back for a correction.
Yes, and it usually means repeating rather than extending. Two shorter runs of the same programme reach more people than one long evening, and food plus a recording can go to the floors that cannot step away. Tell us which teams are on critical coverage that day and we will shape the running order so nobody is quietly left out.
Headcount, whether the event stays on campus or moves to a venue, the scale of stage and audio-visual work, food, and how much has to be built and removed within restricted hours. Streaming adds cameras and crew. Overnight or weekend build windows add labour. Send us the date, the headcount and the location and we will itemise it.
Yes, and it is worth doing properly rather than pointing a laptop at the stage. We plan cameras, clean audio, a stable line and a moderator who brings remote questions into the room. Your network team decides whether we use the corporate connection or a separate one, so raise that question early, because it changes the equipment we bring.
Usually yes, within limits your information security team sets. Screens, whiteboards, client names and certain floors are commonly out of frame, and the edit may need review before release. We agree the rules beforehand, brief the photographer on them, and shoot angles that keep confidential material out of shot rather than fixing it afterwards.
Yes, with visitor passes arranged in advance and a defined route inside the building. Send the guest list to security well before the day, agree the badge format, and keep the event area separate from working floors. For family days we also plan shaded seating, safe play zones, accessible washrooms and a clear parking plan for people arriving together.
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Pune · PCMCPlanning events in Pune since 2013 — 500+ events for 100+ brands across 30+ cities. Read what clients say on Trustpilot, or find our Anand Nagar office on Google Maps.
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Send us your campus rulebook
Tell us the date, the headcount and which building you are in, and we will draft a plan that already fits your clearances.